Tidbits #5

Dear readers,

Welcome back for a new edition of Tidbits, where I gather links of what I enjoyed reading, watching and listening lately. This week is all about inner conflict and my naturally french contradictory spirit. You can blame it on my on-going binge of In Treatment. That show is seriously addictive! I decided to add excerpts of the articles I am referring to in case you don’t have time to read through. Let me know if you think it’s the right or wrong approach!

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Sewing Bits

  1. Pillowcase Pattern Co

    The patterns will be available soon from Etsy for just $24, and include detailed instructions with full color photographs, beautiful packaging, and all the information you need to get started. There will also be a big blog tour so get ready!

    Made by Meg

    This April fool’s joke was hilarious. I do see the irony of me saying that, since I just started selling sewing patterns on Etsy. I decided to jump on the bandwagon, when I realized that there were 2 ways of not selling 24$-beginner-friendly-hipster-sewing-patterns. One is not to sell sewing patterns at all, which is what I had been doing until then. The other other is to sell cheaper patterns that would build on sewer’s experience and encourage self-confidence rather than hand-holding. So far, we had a little over 30 sales with our marketing efforts are very minimal and inconsistent so I feel it goes in the direction that there is appetite for a different offer…

  2. Sewing Polar Bear

Day 12 of #miymarch17 – Teacher. I suspect there are many patient mothers out there getting credit today ☺Mine is no exception, but my interest in sewing first appeared a few years ago. Since I have studied and worked far from home I have mostly used the Internet. There are some question though that Google has a hard time answering (like "how to get your collar band not to look like a turtle made it" and "how to sew that armhole of your coat without having a mental breakdown"). I have used Skype with my mum in those cases (let's just say she is very, very patient 😂). Side note: I'm currently trying to improve my shirt making skills and have discovered Angela Kane and her YouTube channel. She almost makes me want to quit my job, drink all the tea and handstitch collars all day long! 😆

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I admire makers that are able to create visually pleasing Instagram accounts. I certainly don’t have the discipline to do it myself (hum hum… all the baby pictures) but I wish I did! See what I mean with this lovely lady, Sewing Polar Bear. At the same time, I look at my feed and I like that it reflects my real life, or at least a filtered version of it…

Other Bits

  1. The White Wall Controversy: How the All-White Aesthetic Has Affected Design

    So what does that mean for white rooms and the all-white trend? I think this look is one of the many styles in this particular zeitgeist that will be beloved and revered by some for years to come, but changed and moved past relatively soon for many.

    Grace Bonney,  Design Sponge

    My walls are all whites and my style revolves around classic and simple silhouettes. Still, at times, I am embarrassed about how much it fits current trends. Is it what I really enjoy, or am I a product of too much Pinterest? How do we keep challenging myself visually? Obviously home and fashion trends follow similar cycles. Are we on the verge of going back to a more maximalist approach to design?

  2. Minimalism is Boring

    Can I have both — the noise and the quiet; the jeans and the neons? Here are three outfits born out of the totems of a minimalist wardrobe.

    Leandra Medine, Man Repeller

    Gretchen Jones touched upon a similar issue in Episode 7 of Seamwork Radio when she said that she wasn’t really interested in the current fashion scene. I like Leandra’s differentiation of a maximalist style vs consumption. Hopefully, you can achieve an over the top look without over sized closet size.

  3. Minimalism: another boring product wealthy people can buy

    We cannot pretend that performative reduction in consumption, or choosing to only consume in certain ways, is not one of the most gratuitous displays of privilege out there, and to frame it as in any way a moral choice is more than a little offensive.

    Chelsea Fagan, The Guardian

    I’m a Konmari convert, but I couldn’t help agreeing with a lot of what was said in the article. This type of writing is essential for me. Although I can never be free from trends or my preconceptions, recognizing that they exist is the first step in minimizing their impact on my behaviors.

  4. The Myth of the Ethical Shopper

    We are not going to shop ourselves into a better world. Advocating for boring stuff like complaint mechanisms and formalized labor contracts is nowhere near as satisfying as buying a pair of Fair Trade sandals or whatever. But that’s how the hard work of development actually gets done: Not by imploring people to buy better, but by giving them no other option.

    Michael Hobbes, Huffington Post

    I cannot agree more with what is said here. Buying fair trade is not bad per se, but it shouldn’t stop us from looking at the (very) big picture. Changes have to happen at all levels!

  5. We’ve Forgotten How to Dress Like Adults

    Each decade of age seemed to offer its own licenses.
    “By the age of thirty, most women were married, held jobs, or both,” writes Przybyszewski. “And they were presumed able to handle the eroticism embodied in the draped designs that made for the most sophisticated styles.” Draping gathers excess fabric into unique waves that draw attention to the wearer’s womanly curves and the tug of gravity.

    Rebecca Huval, Racked

    “Adult” dressing used to be valued and enviable. Back in December, I visited a great aunt in her 80’s with a great sense of style. She was telling about meeting her late husband when she was in her early 20’s and he was in his 40’s. She said “You have to understand, it sounds like a big difference but back then at 23 we were women. We wore gloves, suits and a hat. Not jeans or t-shirt”. I was of course in my rattier jeans with the little human on my lap…

That’s it for today. I would love to hear your thoughts and what you have you read lately that challenged you!

The other white shirt

Dear readers,

It looks like the new blog format is working for me so far, I hope it is for you too. However it’s too soon to tell if I will be able to keep it up. It wouldn’t be the first time that I manage to maintain decent activity levels on the blog, only to let it completely go a month later… One thing I forgot to mention though is that I don’t currently plan on posting on other platforms than here and Instagram. No more PR, Kollabora (which never seemed to foster interactions or traffic anyway), Burdastyle or Thread and Needle. Traffic was never high on this blog and will certainly drop now but I kind of like the idea of a narrower little corner of the Internet, mostly with regular readers.

Squareshirt SewingTidbits-2
But let’s talk about today’s topic, another big square white shirt. Whenever I sew a white top, I kick myself for not making more. It’s so easy to be seduced by colors and prints in pretty fabric, but there are not many garments as versatile as white tops and blouses.

When I made the Ralph Pink pattern I mentioned last week, I already had in mind a crisp poplin version. Probably because of this Burda pattern (coincidentally Mokosha just posted about it, and it’s reminding me that it would probably fit my current needs) and this Everlane number :

I decided to start with my silk-blend version so that the drape would help with the extra-volume. I really like my previous version, but decided to take in the sides even more (total of 5″ on each side seam, as opposed to 3″ last time) and shorten the sleeves (3″) to account for the stiffer fabric. Unfortunately this required redrafting almost completely the front since I was reaching the sleeve cuffs in a straight line. While I was redrafting, I took the opportunity to modify the curved seam line you can see in the front. On the original pattern the front seam is purely decorative, with no shaping. But since I was going with a shape closer to the body, I included a sort of bust dart.

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I’m not sure you can see very well above but the dotted paper is my modified front pattern and the white one the original pattern. I also modified the top collar pattern to create a smaller/more current collar.

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The fabric is the most beautiful Japanese 100% cotton shirting. I found it at Mood’s and I have just no word to describe how smooth and perfect it is. It sewed well but I had a little bit of puckering that I could not completely iron out, for which I have no explanation. There is also the always tricky curved underarm seam, which was made extra difficult by the use of French seams. For this shirt, I finally  remembered to make my buttonholes and sew the buttons BEFORE hemming. No one will believe but I swear that the CF matched exactly in length before, but I am no Beth of SunnyGal Studio and I cannot explain how the lower picture happened!

Some of you may have a serious eye twitch already and believe me I do too! Let me explain how ironic the situation is. Being French (I know it’s a lame lame excuse), I’m a very critical blog reader. Lately, I kept noticing garments with the traditional closure for womenswear (right over left, ALWAYS right over left) had been avoided/omitted. It’s quite disturbing to the eye in my opinion. Well guess what happened next… I marked my buttonholes actively thinking:”Ha! You are not going to catch me making THAT dumb mistake!!” [Smirk face]. I sewed all the buttonholes , all the buttons, hemmed the shirt only to realize that I had just done it! I inverted the closure!!! Oh well…. *Shameful Face*

I really love the final garment. It fits my current needs perfectly and has been through several wash and wear cycles. I hope not to outgrow it too fast because it’s a very office friendly option in my shrinking wardrobe. I don’t have a definite word on Ralph Pink’s Sahara Shirt Pattern, like most patterns it did require a certain level modifications to match the idea that I had in mind. I did appreciate that the pattern pieces were relatively simple and went together easily.

As you can see in the inspiration pictures, a crucial aspect to modeling a square shirt is to pretend you’re about to casually perform a set of crunches.  I will comply as long as I’m not required to do the actual crunches!

Squareshirt SewingTidbits-4

That’s it for today! Hopefully I will be back soon with more pictures of recent makes. This post is proof that I CAN take pictures inside my apartment, even if they are on the boring side… Oooh tropical background of Haiti, how I miss you!! Any tips for indoor pictures you would like to share?

From Inspiration to Garment part 4 – Starting with a block

Dear readers,

At this stage, you may rightfully ask yourself what is going on, well I could tell you that I will explain at the end of this post, but I won’t. I’ll say it right now. I’m moving back to NYC!!! Starting 1st of January, I will change jobs and will relocate in Manhattan. On the one hand, it’s a great news. On the other hand, it means that I’m swamped at work trying to close as many processes as possible, plus organizing my move, searching for an apartment etc. Don’t expect too much sewing or blogging to happen before I’m settled…

However, since I have a significant blogging backlog and I’m never post very often anyway, you may not even notice the difference! Enough about the logistics, let’s talk about sewing! For the 4th post of the serie (see part 1, part 2 and part 3), I gathered some inspiration pictures for simple tunic dresses (all found on Pinterest, as usual) :


If you want to know more about using block patterns, you can read this post of the Fashion-Incubator. Basically, it’s about iterative designs based on an initial pattern that fits well. In the home-sewing world, it’s what we call TNT (Tried and True) patterns. The benefit is that you reduce alterations and depending on cases, can skip the toile stage. I really liked the upper body fit of my chambray dress so I started working on this version almost right afterwards (yes it was a while ago).

Sewing Tidbits - Chambray Tunic-1

Sewing Tidbits - Chambray Tunic-3

For the pattern I simply took the bodice pattern of my previous version and lengthen it. I used french seams for the sides and added pockets. If you wonder about in-seam pockets and french seams, you can check out this tutorial.

My other construction change was to use bias binding as facing. It would have been quick and easy if I had used the self fabric but of course I decided to make things complicated and used some of the silk crepe remnants from my slip dress. It took a little more time but I love the contrast of the cream silk and the blue/grey chambray. I used this fabric before for a pair of Colette Madeleine pajamas. I bought it at Mood NYC back in 2013 and it’s very easy to work with. I used white thread for topstitching.  I stole the pocket pattern from my white shirt.

Sewing Tidbits - Chambray Tunic-5

Sewing Tidbits - Chambray Tunic-4

These days, I try to skip bust darts to simplify the lines for a cleaner/sharper look.  I love those simple straight silhouettes on other people but when it’s time for me to wear them I find them more flattering when belted. I have to apologize about the pictures, unfortunately The Old Man has not completely mastered the focus with my new lens!!

Sewing Tidbits - Chambray Tunic-6

Overall this project has been very cheap since everything came from stash and I made my own pattern. Regarding the fit however, I’m only 75% happy. I wish I had shaped the side seam a little to take in the waist and give more ease at the hips. I did add back darts as an afterthought to remove the excess when belted. Most importantly, I should have worn my previous version of this pattern more before using it as a block. I drafted a square angle under the arm that requires to be clipped. It’s a point of weakness for this design and I had to repair it on each side for the first dress.

Sewing Tidbits - Chambray Tunic-2Sewing Tidbits - Chambray Tunic-7

I believe that it’s the fundamental difference when you draft/drape your own pattern compared to buying patterns or RTW garments. Nobody did the testing for you!! Just like when buying a car, you have to take it for a ride before you commit! Standing straight in front of the mirror or for a 10 minutes photo session in your garden won’t give you all the insights you need to assess the fit, the durability and versatility of your design. Now let’s talk about it! How many times do you make a pattern before it becomes a block/TNT ?

French or Italian? A Nettie t-shirt in stripes

Dear readers,

I am currently flying back from Guatemala and Honduras where I visited the amazing mayan ruins of Copán which partly explains the lack of activity around here! If you followed me on Instagram during #sewphotohop, you will have seen some sewing happening. I made that tee on a whim while keeping up my resolution to sew more from my ideal closet items pinned on Pinterest. Below are the two shirts that triggered my crush for widely open back tees.

For a reason I cannot explain, there is something intrinsically italian in my mind about those shirts. I picture myself in the countryside (maybe where Sasha lives?), leaning on the door frame of my imaginary bungalow, drinking delicious coffee and gazing at my olive trees in the horizon… When the tropical backgrounds of Haiti are not exactly Italian landscape, I can at least have my shirt and drink coffee!!

Nettie T-shirt by SewingTidbits

One Saturday, I went to hide in the heat of my sewing for an hour or two and pulled out my Nettie pattern. To turn it into a hip length tee, I stopped the patterns where it indicates to add for dress length and decided on the high front, mid-low back and short sleeves. Since I made this pattern twice already (here and here), there is not much more to report.

Nettie T-shirt by SewingTidbitsThe fabric came from my stash, I bought it in Port-au-Prince and it’s a left over of a Shadi skirt I made last year. The entire shirt was sewn on my serger and I am still not perfectly good at matching stripes with that machine… I changed the order of construction slightly so that I can attach the neck band and the sleeves flat. I was so determined to own this tee that when I realized that I actually didn’t have enough fabric for the front, I decided to piece it. Not very professional since you can see it in my shoulder area, but I don’t really mind.

Nettie T-shirt by SewingTidbits

As soon as I finished it, I threw it on and ran to The Old Man to get his opinion on my Italian tee. His comment sounded appreciative but was along those lines: “OOOooh a French tee!!”. I guess the stripes betrayed me… No matter how much leaning on the door frame I did with a coffee mug in my hands, he would NOT see the Italian side of it…

Nettie T-shirt by SewingTidbits

In other news, I just moved houses so this will be the last time you get to the garden in the background I’ve been using for the last two years. Our new apartment is smaller but I still have a sewing room (most important thing about housing!!). Also, it’s higher in the mountains which means fresher air and amazing view!!

I still have some posts coming up but since there will also be more traveling it’s hard to commit to regular updating… In the mean time, let me know what you think, French or Italian tee??

From Inspiration to Garment – Part 3 – With a commercial pattern

Dear readers,

It’s the third part of my little serie and I want to talk about those times when you feel too lazy to draft or drape the pattern! For several years now (yes, several), I have been thinking about slip dresses. I was a teenager in the 90’s so I will always be convinced that calvin klein epurated slip dresses are the coolest. Kate Moss and Rachel from Friends shaped my idea of style (for the best and the worst!!)! Twice a year, when the idea of making a bias slip would sudden become urgent, I’d frantically research patterns meant to be cut on the bias, take note of linings in some Vogue patterns and forget about it. Until next time. But not this time! Let’s look at the inspiration first, all collected on Pinterest, with of course, queen Moss:

As stated before, some Vogue patterns include a slip which is meant to be cut on the bias. Carolyn of Handmade by Carolyn made a beautiful version. I myself own New Look 6244 but it’s at my parents’ house… in France… I actually made this dress 10 years ago but purposefully ignore the bias for the lining (so stubborn) because I did not see the point. Ahem Ahem… I have to admit that in my early sewing years, I was (still am) very stubborn and I did not see the point of many things . Those things included seam finishes, easing sleeves, aligning the grain, wearing ease and many more… Slowly but surely I integrated them in my sewing for the better!Bias silk dress by SewingTidbitsOne detail, I dislike in current Vogue slips such as 1287 is the bust dart. I was convinced I could get away without one since the bias could do the minimal shaping I require. I finally decided to go with the lining of Lekala 2021. It doesn’t not specify that it’s meant to be cut on the bias, (at least Google Translate does not say so) but since I got to start with a pattern customized to my measurement, so I figured it was worth it.Bias silk dress by SewingTidbitsMy first step was to do a toile. I used regular muslin even though my silk was going to be behave differently. I figured a “skin” tight fit on my form (slightly bigger than me) in muslin would result in appropriate amount in and the 2 layers of silk would have appropriate wearing ease on me. It was a bit risky but it worked! I also used the toile to check the neckline and position and measure the straps. I had to take in 1/2″ from each side at the bust and waist, tapering to nothing at the hips and I made no changes to the neckline.

Toiling a bias slip dress today. Can't cut into my delicious silk until I sharpen my scissors… Sigh… #sewing #isew

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The most challenging part for me in working with with silk is cutting, especially on the bias. It takes forever and I’m always tempted to cut corners. However, this time I did not. I lied my 23mm silk crepe from Calamo New York on a first layer of paper, aligning the selvage with the straight edge of the paper to prevent distortion. I created a “marker”, which is another layer of paper with all the pieces to be cut drawn in their cutting position. I added my “marker” on top and pinned between the pieces to avoid marking the silk. I then cut through the 3 layers.
Bias silk dress by SewingTidbitsBias silk dress by SewingTidbitsI have an important piece of information that some of you may resist. It’s OK to cut through paper with your fabric scissors! Yes… I know what the home sewing police says but really, you’ll be fine! And it will actually dull your blades a lot less than cutting wool or tweed!!Bias silk dress by SewingTidbits
I stabilized both layers of the neckline with fusible strips and attached the sides with french seams. For a reason I cannot explain, sewing went well for the first pass of the french seam but my industrial Juki refused, yes refused (!!), to go through the second one with a repeated mess of skipped stitches. I was confused and about to cry but I decided to add a layer of paper on top of the seam and tear it off after stitching and it did the trick!
Bias silk dress by SewingTidbitsFor the straps I used the method described by my friend E. on her blog. The only thing I would add would be to not be afraid to use a rather large strip of bias, such as 2.5 or 3″ as the allowance will “fill” the tube. For the hem, on top of providing the tutorial, E. gifted my ban-roll. I don’t know why I never tried before. Actually I do know why (see stubborness mentionned above) but I regret it deeply. This thing is absolutely AMAZING: perfect baby hem on silk. Every. Time.  No need to say more. I actually want to try it to hem shirts with it too!Bias silk dress by SewingTidbits
That’s it for my notes. I love love love the final dress and I wore it for my birthday (30… yikes). We went dining and dancing and I felt very comfortable in this simple yet dressed-up silhouette. I am now thinking of making a single layer one out of thicker black silk crepe. And tank tops, a lot of tank tops, I may have opened the pandora box of bias project! Do you have favorite patterns for bias cuts ? I would love to see what you recommend!

From Inspiration to Garment – Part 2 – Sewing

Dear readers,

Canadian weather seems to make me lazy, and since I’m not a very prolific blogger already, it’s getting sad around here. But here I am! As promised, I have pictures to show you of the finished chambray dress I draped in my previous post. I mentioned before that sewing your own patterns is completely different experience than sewing commercial patterns. Since you don’t have instructions it may seem counterintuitive, but it’s much easier. Steps just flow naturally. Of course you have to figure out a lot of things, but hopefully you did that in the patternmaking stage!

chambray-dress-1If you remember the original dress, it had a kind of funnel collar, which I don’t find attractive. Instead, I decided to do a “visible facing”. There may be a real name for that but I don’t know. I stole the idea from my new favorite sewing book: Sewing for Fashion Designers by Anette Fischer. I plan on doing a book review of it because I am truly impressed by it. Considering the number of sewing books I read, this is quite exceptional.

Another design change is the little turn up detail in the sleeve. The construction of the entire dress was pretty straightforward. I used a lot of my fusible tape to stabilize the neckline, the pocket opening and the zipper area. For the neckline, I dumbly interfaced the wrong side when, with my inverted, I should have done it on the right side. Oh well…

If you saw this dress on my instagram, you may have thought that I was very fitted but in fact it’s not. I love how comfortable it is, the style is relaxed and it makes it a perfect weekend dress!

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The fabric is from Rag&Bone, purchased at Mood during my last trip to New York. It does wrinkle and the sleeve style tends to accentuate the wrinkling but It doesn’t bother me for a relaxed dress. I used some of of my muslin for my pocket bags, I always think muslin is the perfect match for denim and chambray and it feels less wasteful about the whole process. I didn’t make my pocket bags deep enough for my taste, which is a recurrent issue. I always eyeball it and it’s systematically to shallow. I wonder if there is a rule of thumb out there… Any hint?

chambray-dress-2chambray-dress-5I love the upper body fit and I may iterate from this style and see what I can turn it into. I’m currently thinking and tunic/dress length without waistband of gathers to be worn with a belt. It looks clean and simple in my head and if I could sketch I would share with you. But my drawing skills are … let’s say limited (understatement…) so I guess you will have to take my word for it!

I only wish I had checked the ironing before taking the pictures because the back looks quite terrible. It looks like the waistband does not match at the zipper, when in fact, it does!! The fancy camera does not do it all, I have to put more efforts in my pictures…

chambray-dress-6 chambray-dress-7I’m trying to turn those posts in a little serie that i call “From Inspiration to Garment”. Now that I wrote it, I may lose all my interest in doing it (yes…). But in case I don’t, I like the idea of exploring different ways to draw from inspiration to make an aspirational wardrobe materialize and work in real life. Next post will be unrelated (it’s a leather one) but I will get back into it shortly! In the mean time, I leave you with a side by side comparison picture, do you think it looks close enough (except for the bad pose)? I’d love to here your approach to sewing from inspiration!

Comparaison Chambray Dress

From Inspiration to Garment – Part 1 – Draping

Dear Readers,

I mentioned in my last post that my sew-jo has been low since the beginning of the year. I can think at least of 2 reasons. One, I cleaned out my closet (and the whole house while in my Marie Kondo phase) and I like owning less things, which tends to be incompatible with sewing. Second, I’m quite satisfied with my wardrobe. It sounds counterintuitive but after cleaning it , I see less gaps than before. Probably because I actually know what I own now. If you add the fact that I also shop RTW, it means that I’ll have to empty my wardrobe regularly and focus on less but better quality items.

When I cleaned out my closet, I had to part with a lot of handmade items. I never managed to do it before. The Konmari approach helped me realized that they were garments that performed their “Joy-Giving function” by being made but no longer did it by being worn. They had to go, and they did. However, it was not a very pleasant and to avoid it in the future, I want to focus on sewing what I will really enjoy wearing. Different tools are available for that (Capsule planners, Wardrobe architect, etc.) but they are all too formal/definitive for my taste. So I decided to be simple and shop my own Pinterest fashion board for ideas. I created a Sewing Queue board to gather my ideas and help me maintain focus when fabric shopping.

Picture courtesy of cupofjo.com
Picture courtesy of Cos

After finding a pretty Rag&Bone Chambray at Moods during my last trip to New York City, I decided to start by the first above picture. I believed that it has been pinned thousands of time. I went to find the original dress on the Cos website (see 2nd picture) and I was stunned at how this dress would never have caught my attention without Pinterest!

Since I am also to renew my sewing appetite, I decided to brush up on my draping skills. I attended several FIT courses when I lived in New York, and this is probably what I miss the most from the city! When draping by myself, I have a draping book open for guidance and reference. I actually don’t use it much but I like to have it next to me. I own several and my favorite is still one of the first books I bought: Draping – Art and Craftmanship for Fashion Design, by Annette Duburg. In my opinion, it has the clearest step-by-step instructions both for basic and advanced designs.chambray-draping-2No matter what book you use, the steps to draping are always the same and I will try to outline them. Before starting, this is what I did:

  1. Design analysis – in this case I noted kimono sleeves, front and back gathers for the bodice, font and back darts in the skirt, italian pockets and an invisible zipper at center back.
  2. Preparing the form – it includes adding style lines and in this case attaching my (self-made) arm which I taped to a cupboard to keep it way from the body (for the kimono sleeve).
  3. Prepping the muslin – cutting the different pieces, straightening the grain, pressing it and adding the main lines (center front, center back, bust, hip and others as necessary).

chambray-draping-1I then proceeded with the actual draping. There is a general order to this (neckline at center front, waist, bust at side seam, neckline at the shoulder, etc.) and it becomes natural once you have done it a few times because it’s quite logical.

I like to use style tape not only to mark the line on the form but also on the muslin. You may need to re-do it a few times and it will help keeping the toile relatively clean until you are ready to mark on it. Tape is also very useful to drape pleats or gathers.

chambray-draping-3 chambray-draping-4 chambray-draping-5When one think about draping, we tend to picture ourselves creating beautiful “drapés” and laboring over tiny gathers. The reality is that you spend a lot of time removing the muslin from the form, ironing it flat, “true-ing” your lines, cutting the excess of fabric, repining together and putting it back on the form. After each change, you repeat the process to assess whether it works or not. In that sense, draping is not necessarily much faster than flat pattern making. Of course, it depends on the design and your own preference.

chambray-draping-6 chambray-draping-7The waistband is a simple straight band, nothing particularly is particularly challenging about it. The only thing you have to get right is the positioning. In my case, I realized that it looked better a little higher than what I initially thought.chambray-draping-8 chambray-draping-9 chambray-draping-10Once I was happy with the bodice and the waistband, the next step was the skirt. You can see it below but I was unsatisfied with the hip curve. I ended up using the pattern of my open skirt project. I removed the pegging at the hem and I widened the side seams to match the waistband.

I have to add that the overall this is tighter than how you should drape. I lost some weight since my form was made to measure 4 years ago. My solution is to drape “skin tight” on the form and I get a comfortable garment on myself. I never had bad surprises so far…

chambray-draping-11chambray-draping-12My least favorite step is next: copying onto paper. I find it an intrinsically imprecise process.  Once done, I added my seam allowances, drafted all the details such as facings, closures and pockets. It’s the perfect time to mentally sew the garment to make sure the process is engineered in the pattern as much as possible. Doing this, you will be amazed at how much easier it is to sew a pattern you drafted compared to one you bought. Everything just comes naturally and I make less mistakes.

I don’t do many process posts so I hope this was useful to you. If you follow me on Instagram you may have seen the dress finished already! Let me know if you have any questions or if you have any draping tip you would like to share!

One final point, I’m currently spending the month in Ottawa, Canada (for work). If any of you are around, I would love to engage in some sewing gossiping/fabric shopping/coffee drinking!